题目艺术直觉是人们在艺术活动中，对事物的特征、本质、意义，不经过逻辑推理和分析而直接地感受和领悟。根据上述定义，下列属于艺术直觉的是（ ）。
A:某技术工人在一次技术操作中突然发现合理的操作方法
B:某歌手经多次演出找到适合自己的歌唱方式和表演方式
C:某游客在欣赏毕加索的画时突然领悟到作品的独特内涵
D:某艺术鉴赏家通过多次对比发现了梵高绘画作品的特征
相关专题： 鉴赏家
相关问题推荐
A.某技术工人在一次技术操作中突然发现合理的操作方法
B.某歌手经多次演出找到适合自己的歌唱方式和表演方式
C.某游客在欣赏毕加索的画时突然领悟到作品的独特内涵
D.某艺术鉴赏家通过多次对比发现了梵高绘画作品的特征
These are not latter-day Henry Tates or Pavel Tretyakovs, democratic visionaries who paid for buildings and donated core collections to kick-start evolving national, state-run institutions. Museum builders of the 1990s and 2000s, by contrast, are products of late capitalism, dedicated to more personal projects, with an individualistic flavor. They represent the legacy of Thatcher-Reagan words of choice, private philanthropy (慈善机构), me-generation celebrity.
Together, these and scores more bring diversity and flatten old geographical hierarchies. In Istanbul, collector Sakip Sabanci's museum, founded in 2002, is the first ever to show western modernism in Turkey. Thanks to Dominique de Menil, the greatest collection of paintings by Cy Twombly, who lives in Italy, is on permanent show in Houston, Texas, in a gallery designed in 1995 by Renzo Piano. In 1996 the late collector and dealer Heinz Berggmen launched his Museum Berggruen in Berlin, giving Germany its only Picasso collection.
Is all for the best in the best of all possible worlds? Certainly, more private museums mean more art on display for more people to see. Today's collectors are reluctant to bequeath (遗赠) to established museums, where space shortages mean works may go straight into storerooms and stay there. By contrast, a dedicated museum maintains the integrity of a collection, keeping together outstanding groups of works, assembled with personal flair, in buildings designed to enhance them. Renzo Piano's light, see-through 1997 construction for Ernst Beyeler's cherry-picked modernist paintings in Basel is the shining European example. For contemporary work, private collectors have particular advantages: free of state bureaucracy, they can respond quickly to the fast pace, and show work in ways that are too radical for traditional museums.
How did the Louvre, Hermitage, and Prado museums originate according to the passage?
A．Donations of the richest collectors.
B．Patronage of private individuals.
C．Collections of connoisseurs.
D．Encouragements and approval by rulers.
B:不过，郭沫若后来终究没有成为数学家或医学教授，却匪夷所思地成了大诗人、大艺术鉴赏家，令那些信奉“从小看大”者大跌眼镜。
C:药品说明书中的“儿童酌减”字样，看似一种善意的消费提示，实则似是而非，减到多少才合适大多没有明确说明，的确让人难以操作。
D:如果您有广告行业的从业经验，有行云流水的文笔，有才思泉涌的脑袋，有眼观六路、耳听八方的洞察力，经常落笔于各大论坛，我们欢迎您的到来。
B:作家和艺术家不一定同时是文艺批评家或文艺理论家，然而他们一定同时是修养很高的鉴赏家。
C:王教授对收购古书的人说：“这些书过去我一直舍不得卖，现在拿出来，倒不是为了经济困难，而是因为国家需要这些书。”
D:这点小雪，他以为没有打伞的必要，何况他还贪图着看看夜间的雪景呢。
阅读下面的文字，根据要求作文。
贝利是20世纪20年代人人皆知的珠宝大盗，他所偷盗的对象，都是有钱有地位的上流人士。他还是位艺术品鉴赏家，所以有“绅士大盗”之称。贝利因偷盗被捕，判刑18年。出狱后，全国各地的记者纷纷前来采访他，其中，有位记者问了一个有趣的问题：“贝利先生，你曾偷了许多很有钱的人家，我想知道，蒙受损失最大的人是谁？”
贝利不假思索地说：“是我。”
记者们哗然大笑。贝利接着解释说：“以我的才能，我应该能成为一个成功的商人、华尔街的大亨，或是对社会很有贡献的一分子；但我不幸选择了做小偷，成了一个向自己偷盗东西最多的人——各位都知道，我生命中四分之一的时间，是在监狱里消耗掉的。”
请以“认知自我”为话题，写一篇不少于800字的文章，题目自拟，立意自定，文体不限。
