阅读下面的文字，根据要求作文。
贝利是20世纪20年代人人皆知的珠宝大盗，他所偷盗的对象，都是有钱有地位的上流人士。他还是位艺术品鉴赏家，所以有“绅士大盗”之称。贝利因偷盗被捕，判刑18年。出狱后，全国各地的记者纷纷前来采访他，其中，有位记者问了一个有趣的问题：“贝利先生，你曾偷了许多很有钱的人家，我想知道，蒙受损失最大的人是谁？”
贝利不假思索地说：“是我。”
　记者们哗然大笑。贝利接着解释说：“以我的才能，我应该能成为一个成功的商人、华尔街的大亨，或是对社会很有贡献的一分子；但我不幸选择了做小偷，成了一个向自己偷盗东西最多的人——各位都知道，我生命中四分之一的时间，是在监狱里消耗掉的。”
　　请以“认知自我”为话题，写一篇不少于800字的文章，题目自拟，立意自定，文体不限。

In the history of arts patronage(资助，赞助), entrepreneurs-turned-connoisseurs(艺术品鉴赏家，行家) are a young development. The world's greatest museums the Louvre, Hermitage, Prado began as lavish civilization-is-power statements by monarchs and emperors; private individuals did not emerge as significant museum patrons before the 19th century. Until a generation ago. those wanting to leave their mark in bricks usually did so in a room of their own in a state museum: the Duveen Galleries at Tate Britain, the Abby Aldrich Rockefeller Gallery at New York's Museum of Modern Art. But in the past 15 years, that has changed: worldwide, collectors seek immortality in glass and steel, through a museum of their own, designed by an architect of their choosing.

These are not latter-day Henry Tates or Pavel Tretyakovs, democratic visionaries who paid for buildings and donated core collections to kick-start evolving national, state-run institutions. Museum builders of the 1990s and 2000s, by contrast, are products of late capitalism, dedicated to more personal projects, with an individualistic flavor. They represent the legacy of Thatcher-Reagan words of choice, private philanthropy (慈善机构), me-generation celebrity.

Together, these and scores more bring diversity and flatten old geographical hierarchies. In Istanbul, collector Sakip Sabanci's museum, founded in 2002, is the first ever to show western modernism in Turkey. Thanks to Dominique de Menil, the greatest collection of paintings by Cy Twombly, who lives in Italy, is on permanent show in Houston, Texas, in a gallery designed in 1995 by Renzo Piano. In 1996 the late collector and dealer Heinz Berggmen launched his Museum Berggruen in Berlin, giving Germany its only Picasso collection.

Is all for the best in the best of all possible worlds? Certainly, more private museums mean more art on display for more people to see. Today's collectors are reluctant to bequeath (遗赠) to established museums, where space shortages mean works may go straight into storerooms and stay there. By contrast, a dedicated museum maintains the integrity of a collection, keeping together outstanding groups of works, assembled with personal flair, in buildings designed to enhance them. Renzo Piano's light, see-through 1997 construction for Ernst Beyeler's cherry-picked modernist paintings in Basel is the shining European example. For contemporary work, private collectors have particular advantages: free of state bureaucracy, they can respond quickly to the fast pace, and show work in ways that are too radical for traditional museums.

How did the Louvre, Hermitage, and Prado museums originate according to the passage?

A．Donations of the richest collectors.

B．Patronage of private individuals.

C．Collections of connoisseurs.

D．Encouragements and approval by rulers.

阅读下面的文字，根据要求作文。
贝利是20世纪20年代人人皆知的珠宝大盗，他所偷盗的对象，都是有钱有地位的上流人士。他还是位艺术品鉴赏家，所以有“绅士大盗”之称。贝利因偷盗被捕，判刑18年。出狱后，全国各地的记者纷纷前来采访他，其中，有位记者问了一个有趣的问题：“贝利先生，你曾偷了许多很有钱的人家，我想知道，蒙受损失最大的人是谁？”
贝利不假思索地说：“是我。”
　记者们哗然大笑。贝利接着解释说：“以我的才能，我应该能成为一个成功的商人、华尔街的大亨，或是对社会很有贡献的一分子；但我不幸选择了做小偷，成了一个向自己偷盗东西最多的人——各位都知道，我生命中四分之一的时间，是在监狱里消耗掉的。”
　　请以“认知自我”为话题，写一篇不少于800字的文章，题目自拟，立意自定，文体不限。

下列句子中，加点的成语使用恰当的一项是A:郭洙若后来终究没有成为数学家或医学教授，却匪夷所思地成了大诗人、大书法家、大艺术鉴赏家，令那些信奉“从小看大”者大跌眼镜。
B:事实上，这样的细节，这般细腻的情感，在萧红的《回忆鲁迅先生》一文中很多，说是俯拾即是也算不得夸张。这篇文章的精彩，恰恰就在这里；萧红的精彩，也恰恰就在这里。
C:2014年9月2日凌晨，哈尔滨市延寿县看守所三名在押犯人杀死一名民警后越狱，案件发生后，当地公安民警和武警布下天罗地网进行追捕，使越狱犯在劫难逃，先后落入法网。
D:一些不法商家打着“买一赠一”的旗号欺骗广大消费者，这种拉大旗作虎皮的做法，使消费者很容易受欺骗，明明吃了亏还以为讨了便宜。

提出“发生认识论”的让·皮亚杰是个（）

A、心理学家

B、艺术学家

C、鉴赏家

D、批评家